The article deals with the installations Ten Characters and The Toilet, reflects on the dwell, the narrative possibilities that are being architected in the works and about the works. Abstract: Ilya and Emilia Kabakov create works that enter a private space by showing the biography, the impairment, the narrative of people and characters and build discursiveness. Para além de criarem a partir de uma realidade existente, Ilya e Emilia Kabakov elaboram obras que dão espaço para a ficção, os sonhos e os devaneios de uma habitação. partir de Walter Benjamin, sobre a elaboração de discursividade de uma obra, pensando as obras como um site-specific por meio de Miwon Kwon e sobre os espaços da habitação com Michel Foucault, permeando a utopia e a heterotopia. O texto ainda disserta sobre o intérieur a. O artigo aborda as instalações Ten Characters e The Toilet, reflete sobre a habitação, as possibilidades de narrativa que vão sendo arquitetadas nas obras e sobre as obras. Resumo: Ilya e Emilia Kabakov criam obras que adentram a um espaço privado dando a ver a biografia, a imparidade, a narrativa de pessoas e personagens e constroem discursividade. In this study, focusing on acayib a garayib of Seyahatname, the concept of Actiib literature will also Rather, in the majority of the texts, these terms refer more than anything else to the realm of reality, rather than to that of fantasy.
Besides this, Evliya rarely places a totally fictitious, supernatural, or fantastic story under the title of acayib or garayib. The common characteristic of these texts is that they all evoke a feeling of "astonishment". Thus, it is difficult to say that the narratives of "marvels and wonders" in the Seyahatname focus on certain restricted topics. These include most of the basic concepts in Evliya's travels, and indeed in his life. To fully understand what Evliya finds to be "strange and wondrous" and why he does so, the narratives in question can be classified under certain concepts, such as talismans and spells, magic and witchcraft, dreams and prophecies, adventures, physical appearances, animals, different beliefs or cultures, landforms, architectural structures, and so on. Considering the long-standing history of Act/ ib in the tradition of travel narratives, Evliya's use of this category seems to be a conscious decision based on the Islamic tradition of travel writing. One such genre, which is important for appreciating Evliya celebi as a storyteller and understanding the fictional dimensions of his work, is that of "marvels and wonders" (acayib ii garayib). Evliya celebi, in his work Seyahatna me (Book of Travels), draws the reader's attention to certain narratives by repeated recourse to specific narrative genres.
0 kommentar(er)
